Ad
related to: sampling music 1970s
Search results
Results From The WOW.Com Content Network
The term sampling was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and playback short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator , Akai S950 and Akai MPC .
A sampler is an electronic musical instrument that records and plays back samples (portions of sound recordings ). Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron.
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s.
1970s: the Vietnam war, soul music. Machine Gun" is a song written by American musician Jimi Hendrix, and originally recorded by Band of Gypsys for their self-titled live album (1970). It is a lengthy, loosely defined (jam-based) protest of the Vietnam War, and perhaps a broader comment on conflict of any kind.
Although the concept of plunderphonics is broad, in practice there are many common themes used in what is normally called plunderphonic music. This includes heavy sampling of educational films of the 1950s, news reports, radio shows, or anything with trained vocal announcers.
They were adopted by electronic acts and pop and rock groups in the 1960s and 1970s and were widely used in 1980s music. Sampling , introduced with the Fairlight synthesizer in 1979, has influenced genres such as electronic and hip hop music.
A timeline of electronic music genres, with a date of origin, the locale of origin, and music samples. Genre. Date of origin. Locale of origin. Electroacoustic music. Early 1940s. Egypt ( Cairo ) Musique concrète. 1940s.
By the end of the 1970s, however, the format became less relevant. The rise of indie rock labels (e.g. Chiswick Records and Stiff Records in the UK) and bands in the late 1970s and early 1980s revitalised the sampler as a marketing tool, but the format was all but dead by 1985. [3]
As the title implies, it was the opening theme music for the 1970s American television series S.W.A.T., though it is a noticeably different recording from the actual TV theme version, which was performed not by Rhythm Heritage, but by Barry De Vorzon's own orchestra with arrangement by Dominik Hauser.
The Killers, the Bravery and the Stills all left their synthpop sound behind after their debut albums and began to explore classic 1970s rock. Some modern practitioners of metal and hardcore punk subgenres such as post-hardcore and metalcore have been influenced by electronic music.