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Sampling is a foundation of hip hop music, which emerged when producers in the 1980s began sampling funk and soul records, particularly drum breaks. It has influenced many other genres of music, particularly electronic music and pop.
E-mu SP-1200 (1987) was, and still is, one of the most highly regarded samplers for use in hip-hop related production. Its 12-bit sampling engine gave a desirable warmth to instruments and a gritty punch to drums. It featured 10 seconds of sample time spread across four 2.5-second sections.
Because hip hop production revolves around sampling, a sampler/sequencer combination device such as Akai's MPC line of grooveboxes usually forms the centerpiece of a hip hop production studio. Although mostly replaced by Digital Audio Workstations (DAWs) by today, classics like the E-mu Systems SP-1200, Akai MPC60, Akai MPC3000 or Ensoniq ASR ...
In the 1970s, hip hop music typically used samples from funk and later, from disco. The mid-1980s marked a paradigm shift in the development of hip hop, with the introduction of samples from rock music, as demonstrated in the albums King of Rock and Licensed to Ill .
The SP-1200 is strongly associated with hip hop's golden age. Its ability to construct the bulk of a song within one piece of portable gear, a first for the industry, reduced studio costs and increased creative control for hip-hop artists.
Prominent hip hop artists who incorporated "boom bap" in their music include Craig Mack, Run-DMC, Nas, LL Cool J, Gang Starr, KRS-One, MF Doom, Mobb Deep, R.A. the Rugged Man, Boot Camp Clik, Griselda, Wu-Tang Clan, Jay-Z, Common, Yasiin Bey, A Tribe Called Quest and The Notorious B.I.G.